2001 | Drama | 94 minutes | Farsi and Azeri with English subtitles


A construction site in Teheran managed by Memar employs many Afghan refugees. They have no identity cards, are illegal, and work cheaply.  Lateef, a 17-year-old young man, has the job of serving the workers tea and preparing the food. One day, an Afghan worker, Najaf, falls and breaks his leg. Another Afghan worker brings in Rahmat, Najaf’s 14-year-old son,   and begs Memar to hire him. Without Najaf’s income, the family needs someone to support them.  But Rahmat is small, weak, and obviously not fit for hard work. After some deliberation, Memar decides to hire Rahmat on a trial basis. Rahmat is given the easier job, which is to replace Lateef. Lateef is furious and tries to sabotage Rahmat. But while spying on Rahmat, Lateef discovers that Rahmat is a girl. Lateef now becomes protective  and helpful. Gradually he falls in love with Rahmat. Although silent throughout her work, Rahmat responds to Lateef’s love. A crisis develops when labor inspectors come to the construction looking for illegals. Rahmat, whose real name is Baran, panics and runs away. Lateef figures that Baran and her family will probably return to Afghanistan. He’s bereft. He now knows he may never see her again. 

Hossein Abedini (Lateef) / Zahra Bahrami (Rahmat/Baran) / Mohammad Amir Naji (Memar) / Gholam Ali Bakhshi (Najaf)
Why Stream This Film?
Like so many other brutal wars, the Afghan War created refugees. Afghan refugees flocked to nearby Iran where they found employment because they worked hard and were paid much less than the locals. The film Baran puts faces to these desperate people and how they lived on the edge. Any day their lives could  be disrupted by visits from the government labor inspectors. That’s why film critic A.O. Scott wrote that “BARAN is necessary viewing.”
  • Rotten Tomatoes Score (Critics Consensus): 89%
  • Metacritic Score: 79
  • National Board of Review: Winner, Freedom of Expression Award
  • Montreal World Film Festival: Winner, Grand Prix
  • Chicago International Film Festival: Nominated, Best Feature

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The intriguing thing about an Iranian film like BARAN is that it gives human faces to these strangers. It could be a useful learning tool for those who have not traveled widely, who never see foreign films, who reduce whole nations to labels.
Roger Ebert

Simple but loaded it celebrates the humanity and humanism at the heart of Iran’s remarkable flow of films, but it’s also more of a rebuke to materialistic values than any ideologue could ever hope to be.
Jay Carr

The Boston Globe

BARAN is necessary viewing. Not only does it bring news of a faraway place, but it also exemplifies the power of cinema when it focuses on the particulars of daily life to achieve a paradoxical universality.The film plunges you into a reality that is, more often than not, difficult and sad, and then, without sentimentalizing it or denying its brutality, transforms that reality into a lyrical and celebratory vision.
A.O. Scott

The New York Times

A mix of gritty realism, crisp storytelling and radiant compassion that effortlessly draws you in.
Michael Wilmington

Chicago Tribune

3 Faces 

3 Faces 

Behnaz Jafari is a popular actress in Iran. She sees a video of a young girl, Marziyeh, pleading for help to escape the stifling restrictions of her conservative family…

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